Day to Day Writing, Short Fiction, Uncategorized

#2 Epistolary

My love,

When I was young, my mother bought me a dress to wear to church. She thought it was beautiful. I hated it with passion. When we got home, I ran to our backyard, tore the thing off in half, made it into a cape, climbed the roof, yelled that I was Superman and jumped.

I think even then, deep inside, I knew that my self-made cape would not keep me afloat, but I jumped anyway – because I felt invincible – because I felt hopeful – because I was so sure, as sure as I knew that I would hit the ground – that the pain that would come from that fall, would be worth it.

For a while, that’s what you made me feel. That feeling of hope and invincibility that I thought was long extinguished inside me, suddenly came back full force – it clouded my vision, diluted my mind, stormed on my defenses. Liquefied – I was liquid with you, malleable, absorbent, transparent and destructible.

We once talked about superpowers. You didn’t know what yours was.

Remember when I asked you to tell me a story from your youth? You were always so convinced that the stories we tell are random and meaningless – that anecdotes from our childhoods bear no significance nor mark in our lives. But we tell the stories we do for a reason – and this was yours:

You said that when you were young, while you were in the scouts, you saw your father baking treats for the other members of your group. You asked if you could have one. And your father vehemently refused. No matter the tantrum you threw, your father  remained steadfast in his decision of not giving you a treat. It was the first time, you said, that you realized, your parents do not exist solely to please you.

In shock, I asked, “How old were you when that happened?”

You replied, calmly, “About ten. Eleven.”

I could barely keep the awe from my voice when the words slipped out of my mouth uncontrollably: “You’re very lucky to have held on to that idea for so so long, to not have realized otherwise until you were 11 years old.”

And you held me closer to you and said, words that melted my heart, “Well, it doesn’t matter now – you have me – and that’s how I can exist for you.”

Here’s a gift, from me to you – a lesson you can keep in your pocket when there’s nothing else worth taking.

Your superpower is your narcissism. It keeps you optimistic, hopeful and invincible. There are those who can only feel this indestructibility in very rare moments in their lives, if at all. Most of us are terrified, every hour of our day, every second. We feel vulnerable .We feel defeated. When we meet someone like you we feel elated. We feel protected just by being around you. We feel content, we feel stronger.

Because of your overflowing confidence, because of your optimism that things will always work out for you, things do work out for you – maybe not for us, not those around you who either figure in your life as accessories, or automatons – things you can use to fill gaps in your time, in your identity. But that’s the power of a narcissist – that you can turn people into weapons, and sidekicks. Always secondary to you. The upside of not feeling empathy, is the limitless ability to keep self-preserving.

Good luck my friend. And a fair warning to use your power responsibly. A string of broken hearts lined across the paths you’ve taken doesn’t make for a relatable, nor sympathetic superhero.

Before I go, let me give you one last story:

Throughout my high school years I collected rocks. Every place I went where I felt happy, I took a rock home with me to commemorate that day. My room slowly transformed into a room full of dirty, strangely-shaped rocks to anyone that entered it. No one knew the meaning behind them but me – but that was enough, it was all that mattered. I had grand delusions of becoming the world’s largest rock collector and surround myself with memories of happiness wherever I go.

But one day, I came home from school and saw that they were gone. It was all thrown away – just like that.

I cried for days – sadness that paralyzed me. I felt every part of my body slowly being destroyed. How can something be once there, and then be gone? How can something you love so much be taken away from you without your say?

How do we forgive ourselves for the things we did not become?




Fiction gives us empathy: it puts us inside the minds of other people, gives us the gift of seeing the world through their eyes. Fiction is a lie that tells us true things, over and over.

-Neil Gaiman on the Introduction he wrote for Ray Bradbury’s Fahrenheit 451

Short Fiction

Dorothy Dances in the Land of Oz

Photography by Johnny Gordolon

Photography by Johnny Gordolon

A/N: Lovely spontaneous readers, my short fiction was published by Swept Magazine, a local mag in Toronto. Check it out here.

–and I’m holding her hand as tightly as I could, like capturing light in between clenched fists, like encapsulating a deluge in a teacup—hopeless, but I held on anyway.

In hindsight, this was the essence of our friendship—undying love and futile desperation; starvation only the half-dead could relate to, that addiction to life and omnipotence and everything in between.

At the crosswalk on the corner of Bloor and Spadina, I saw her: that slump of a walk and lucid shoulder movement couldn’t belong to anyone else. We glanced at each other—she was wearing a plaid shirt and blood-red pants, while hemp bracelets clung to her tiny wrist.

I was different. Blazer on top of a pencil skirt, eyes behind purple-rimmed glasses—could she recognize me? Despite my lack of bright colours, despite the absence of ripped jeans? I dressed carefully now; identity has now taken the backseat, while caution steered the wheel.

And yet she did. It was unmistakable. A look crossed her face like a death sentence: her lips were firm, unmoving. Dorothy, across the street, beside Second Cup, where we once entered, holding hands at three in the morning—four golden years ago—in between cars and the 510 Spadina streetcar zipping by—held back emotions so efficiently.

She recognized me, despite my un-dyed hair and clear fingernails.

The language she spoke through the stillness of her body was raw, un-edited, and Gonzo. She communicated to me unapologetically and relentlessly—as pertinacious as she was when she used to look at me with those eyes that stung of contradictions and lullabies. I quivered in response, so silently gripped by guilt and regret: I didn’t mean to leave you, but I did, and even if I knew why, the reason wouldn’t be enough to heal the scars I left permanently etched in your history.

So in the time it took for the pedestrian light to turn on, I backtracked:

We met at the twilight of our lives on our first year of university. I met her in a party made of mostly boys. I was drunk and just starting to feel unsafe, when she calmed my environment down by sitting next to me, smiling awkwardly, telling me about her sister, and how she was sick. Her next confession was whether or not we should go, but even then her vibrancy got the best of her—so we decided to stay. I learned then that I was going to live next to her for the rest of the year. Even then I knew she was the kind of girl I could fall in love with.

Our friendship grew through moments of “we have to’s”. We were seventeen when we first explored downtown Toronto, dressed up unapologetically, leather jackets and mini-skirts abound. Every bar turned us away: “If you don’t have ID’s girls, we can’t serve you beer.”

On one last act of desperation, she called her 19-year-old friend, currently frat-living. He met us, casual and cool, in his white shirt and flip flops. He led us to a dingy bar lit by candlelight, filled with other college students, and ordered a pitcher as if it was the easiest thing in the world. Heart-shaped Box filled the awkward silence in between sips of watered-down domestic beer.

Through dark streets, she led me; we danced to the light of her white sneakers—it showed us the way. She took me in her room and rolled a cigarette wrapped in tinfoil; I hugged her from behind and smelled her hair. Sweet Jane played forever.

And then a dull came into the chaos of our lives and shook everything into standstill: her sister’s funeral. I said, reassuringly, “Yes, I’ll come. Of course, I’ll come” knowing, even as I was saying it, that I wouldn’t. Was I that horrible?

When she called me the next day I didn’t pick up. Eventually, she stopped calling at all.

Two years passed before she saw me at a party again. I was drunk and was just starting to feel unsafe, when she calmed my environment down by sitting next to me, smiling awkwardly and yelling over the music, “I missed you!”

She took my hand and led me away from the bustling house, past the dancing bodies. We spilled outside, where she sat me down in the middle of the street and began a tirade of what happened to her in the years of our silence. Her confessions were heartfelt and saddening, and I tried to make the mood light by laughing. She looked at me weird for the first time. It was our first miscommunication.

We ended up inside her room, two girls on top of a bed, suddenly feeling very stretched out and exhausted. That night she told me more about her sister, and how she missed her, and asked me if it will ever be possible to get over this kind of thing. I couldn’t answer her with words so I held her in my arms in an attempt to join her. We shared each other’s tragedies.

She was driving. Her hair was in a ponytail and her fingers drummed on the steering wheel as I stared out my window and watched the blur of downtown lights. I remember her saying that after I graduate I was going to be insanely depressed, just like she was, after realizing that the world didn’t give instant feedback, like the ones we got when we turned in a good essay.  But that being insanely depressed was somehow okay, as long as we had each other. I remember feeling really good about that, and feeling confident about a future I was sure was going to happen.

A few hours later I got tired of sitting across from her in the bar so I sat beside her, and with a huge grin on her face she put her legs on top of mine and said, “I’m doing this because I love you” and it was the first time in a long time that I heard those words and actually believed them, without feeling scared, without feeling hesitant.

She looked at me, her eyes glazed over, barely open. The only thing someone could see in her face from a mile away was that giant, genuine smile.

Our lunacies and weekend benders on Queen Street became inseparable from her; she rented a tiny apartment on Stephanie Street for $1,100 a month so she could continue. This one-bedroom became the starting point of all our Friday nights: from her balcony we smoked and drank and watched the CN tower change colour. By midnight we were wandering into Sneaky Dee’s, Nocturne and Labyrinth. One night we tried to eat at Smoke’s Poutinerie and met two guys, where our conversation went from colourful nails to after-hours hangouts. Before we knew it we were descending stairs towards either heaven or infinite abyss: laser lights spewed from every corner, sticky streamers bled on the floor.

And then I went to her parent’s house and she left me inside her sister’s room while she slept . The room was green and strangely empty, despite all of the things her sister left behind. Nothing was moved or re-arranged. The only sign that told me she was gone were her ashes inside a silver cup placed on top of her desk—a vibrant green room that holds in its hands—the ashes of a girl forever twenty-one.

Despite my conscience, I sat in her sister’s chair and opened the single notebook laying there. On the first page, Dorothy had written: This year is the first year that I am older than my sister.

It hit me then—whatever it was—and a cold, sad desperation held me and wouldn’t let go. How does grief work? Does it go away as time pass? Or does losing someone just becomes more and more hauntingly familiar?

Eventually Dorothy’s calls became more frequent, at random times of the night, 3 AM, 4 AM, her panicked screams on the other line. The responsibility that came with loving Dorothy began to weigh me down. Other times it was good, like when we watched the sunlight stream through the curtains and listened to the birds sing—but they became fewer and fewer and too far in between.

The last conversation I allowed to have with her took place in the bathroom stall of another’s bar’s washroom; I was taking photos of the graffiti when she said, choked up and sniffling: “You’re my sister now, do you understand? That’s who you’ve become.”

And I said nothing.

Just stared at the wall that said in felt marker: But for now we are young. Let us lay in the sun and count every beautiful thing we can see.

Dorothy: I think you may have been the closest thing to love I ever felt. But when you’re young, something in that feels too fragile, too frightening.

I could explain to you why I left, and pepper you with apologies. I could write a long reply, to make up for the e-mails I ignored, in an attempt to jot down what I thought happened, in a cogent, logical form, with a clear beginning and an even smoother end.

Or I could insert answers to where there are none, and form conclusions to the things we never addressed. I could start by saying, “Loving you came with the commitment of healing you, something I couldn’t handle at the time, but I didn’t know it.” I could give reasoning to my actions, even though I know, deeply, that my actions lacked meaning, nor thought, that I had lost control over time, and words: all that existed during those days was space, filled to the brim with emptiness, overflowing with mindlessness.

Or I could tell you that I’m okay, that I have a job now, and that I moved to Toronto. And so, what are you up to now? Maybe we can meet up for coffee sometime—and end it nicely, neatly, as civil and cautious as it could possibly be.

Or I could do nothing, because she didn’t warrant a reply, and I wouldn’t want to overwrite.

And so, when the light turned green, all I did was whisper wordlessly—


And hoped the half-sound would turn her into the woman she always wanted to be, the one that danced in transcendental existentiality, the girl forever young and euphoric in the confines of my mind, as she stood in the afternoon sun that peeked through the buildings of downtown Toronto.

© – Ellise Ramos 2013